Arcade Fire in Toronto

panflutesong

PANFLUTE!!!!!!

Set:

  • Everything Now
  • Signs of Life
  • Rebellion (Lies)
  • Here Comes the Night Time
  • Haiti
  • No Cars Go
  • Electric Blue
  • Put Your Money On Me
  • Neon Bible
  • My Body is a Cage
  • Neighborhood #1 (Tunnels)
  • The Suburbs
  • The Suburbs (Continued)
  • Ready to Start
  • Sprawl II (Mountains Beyond Mountains)
  • Reflektor
  • Afterlife
  • Creature Comfort
  • Neighborhood #3 (Power Out)

Encore:

  • We Don’t Deserve Love
  • Everything Now (Continued)
  • Wake Up

Win dedicated the show to Gord; ditto Kevin Drew from Broken Social Scene, who opened (Drew produced both the Hip’s Man Machine Poem record and Gord’s posthumous solo album).

Advertisements

Tom Petty & the Heartbreakers in Toronto

Set:

  • Rockin’ Around (With You)
  • Mary Jane’s Last Dance
  • You Don’t Know How It Feels
  • Forgotten Man
  • I Won’t Back Down
  • Free Fallin’
  • Walls
  • Don’t Come Around Here No More
  • It’s Good to Be King
  • Crawling Back to You
  • Wildflowers
  • Learning to Fly
  • Yer So Bad
  • I Should Have Known It
  • Refugee (which, alas, didn’t really turn into a Mike Campbell firework display; his playing last night, while brilliant, was understated)
  • Runnin’ Down a Dream

Encore:

  • You Wreck Me
  • American Girl

Next up: Blondie (with Garbage!) and X.

U2 in Toronto

More later. Promise.

Set:

  • Sunday Bloody Sunday
  • New Year’s Day
  • Bad
    • Suzanne [Leonard Cohen] (this was superlative; also, in the name of full disclosure, for the second straight time the opening notes of “Bad” reduced me to tears)
  • Pride (In the Name of Love)

The Joshua Tree:

  • Where the Streets Have No Name
  • I Still Haven’t Found What I’m Looking For
  • With or Without You
  • Bullet the Blue Sky
  • Running to Stand Still
  • Red Mill Mining Town
  • In God’s Country
  • Trip Through Your Wire
  • One Tree Hill
  • Exit
  • Mothers of the Disappeared

Encore:

  • Miss Sarajevo
  • Beautiful Day
  • Elevation (surprisingly awesome!)
  • Vertigo (surprisingly really awesome!)
  • Ultraviolet (Light My Way)
  • One

…and then Bono shouted, “One more!” and…

  • I Will Follow

It wasn’t quite Moncton or Vancouver 2015…but it was damn close, and The Joshua Tree live was incredible top-to-bottom.

Tool in Hamilton

Better late than never, it’s the setlist from last week’s killer Tool show at Copps Coliseum FirstOntario Centre in Hamilton, where I’d previously seen them (along with Mike Patton’s penis) in 2002.

Set:

  • The Grudge (first time since that aforementioned 2002 show!)
  • Parabol (ditto!)
  • Parabola (ditto!)
  • Schism
  • Opiate
  • Ænema
  • Descending (an instrumental song which, apparently, represents new Tool music?)
  • Jambi
  • Third Eye (highlight of the night; I was not expecting this, especially not in the back end of the set)
  • Forty-Six & 2

Encore (the band left the stage after “Forty-Six & 2” and a neon “Intermission” sign was lowered):

  • Drum solo
  • Vicarious
  • Sweat
  • (-) Ions
    • Stinkfist

The visuals alone were worth the price of admission. Now about that new album…

Black Sabbath in Toronto

I haven’t been around a computer much these past couple weeks, which means that Hip/Kingston write-up’s still percolating someplace. I’m hoping it’ll come this weekend–but in the meantime, here’s the setlist from another “farewell” concert. Black Sabbath’s “The End” tour rolled into town Monday. I’d seen them in Calgary a couple years ago, on Easter Sunday of all days; that night still ranks as one of the great, unexpected pleasures of my life as a music fan. Monday…does not. I’ll get to the why in a second. First, the setlist:

Set:

  • Black Sabbath
  • Faeries Wear Boots
  • After Forever
  • Into the Void*
  • Snowblind
  • War Pigs
  • Behind the Wall of Sleep
  • N.I.B.
  • Hand of Doom
  • Rat Salad
  • Iron Man*
  • Dirty Women
  • Children of the Grave

Encore:

  • Paranoid

Note the asterixed songs. Sabbath tunes its songs down; I’m assuming it’s to accommodate their singer’s diminishing range. Ironically, though, Ozzy had a lot more trouble hitting the low notes. “Iron Man” and “Into the Void” (the latter’s probably my favourite Sabbath song) sounded awful. There were places where Ozzy wasn’t anywhere close to being in tune. He gets away with it because he’s Ozzy and he misses his notes while doing Ozzy things…but if you forget that for a minute, and consider instead the fact you’ve paid $60 to stand on a grass hill surrounded by tweekers from South Oshawa and listen to a 68-year-old zombie struggling at the bottom of his vocal register, it becomes a lot more difficult to stomach. I felt embarrassed for him, actually.

His bandmates are great, and Tony Iommi remains one of the best live guitarists I’ve seen. But it’s tempting to say they’d be better off performing with that Ronnie James Dio hologram. (And I haven’t even mentioned losing Sam, first to a washroom line-up and then to the crowd on the lawn, from “Black Sabbath” until “Hand of Doom.” That’s what data overages do to you!) I feel bad for saying this because, again, it’s Ozzy. The man’s a legend. And, well, it might be a blessing that that which stands before him now is retirement.

The Tragically Hip in Kingston

Let’s just see what tomorrow brings.

Set:

  • Fifty Mission Cap
  • Courage
  • Wheat Kings
  • At the Hundredth Meridian
  • In a World Possessed By the Human Mind
  • What Blue
  • Tired as Fuck
  • Machine
  • My Music at Work
  • Lake Fever
  • Toronto #4
  • Puttin’ Down
  • Twist My Arm
  • Three Pistols
  • Fiddler’s Green
  • Little Bones
  • The Last of the Unplucked Gems
  • Something On
  • Poets
  • Bobcaygeon
  • Fireworks

1st Encore:

  • New Orleans is Sinking
  • Boots or Hearts
  • Blow at High Dough

2nd Encore:

  • Nautical Disaster
  • Scared
  • Grace, Too

3rd Encore:

  • Locked in the Trunk of a Car
  • Gift Shop
  • Ahead by a Century

More later.

That (Third) Night in Toronto

“The next time we play here,” said the Gord, and it was the best moment of the tour so far.

Set:

  • Blow at High Dough
  • New Orleans is Sinking
  • Opiated
  • Boots or Hearts
  • Machine (Gord sang the song–and, indeed, has been singing most songs on this tour–with an expression someplace between grim resolve and pathetic mime; by the way, if you haven’t listened to the album Man Machine Poem yet, it’s time you did)
  • What Blue
  • Ocean Next
  • In a World Possessed By the Human Mind
  • Streets Ahead
  • We Want To Be It (54 “drip”s this evening)
  • Man Machine Poem
  • At Transformation
  • Gift Shop
  • Flamenco
  • Springtime in Vienna
  • Ahead by a Century
  • The Last of the Unplucked Gems
  • Three Pistols
  • Twist My Arm
  • Long Time Running
  • Little Bones

1st Encore:

  • Escape is at Hand for the Travellin’ Man
  • Poets
  • Bobcaygeon (Gord flubbed “that night in Toronto”)

2nd Encore:

  • Daredevil
  • Grace, Too

I’ve long been of the opinion that this tour isn’t the end of the Tragically Hip: I don’t think they’ll do large-scale tours anymore, but I’m hopeful they’ll play one-offs as long as Gord Downie’s health (or that of any of its other members, for that matter) allows. Gord’s line reinforced that. It might’ve been off-the-cuff. It might’ve just been a typical Gordism. It might’ve been a cancer patient keeping his head held high in the face of unimaginable circumstances. It might’ve been a combination of all three. If this is it, these shows were a worthy coda; Friday’s was one of the absolute best concerts I’ve ever seen. But the band that walked off the stage at the ACC last night didn’t look like one that was walking off into the sunset. It looked like a band moving on to the final dates of its latest tour–Hamilton tomorrow, Ottawa Thursday, Kingston Saturday–and promising, to the best of its ability given the circumstances, to see what tomorrow brings.

That’s what I choose to think, at least.

I’ll be at the Kingston show Saturday: years of good ticket-buying manifested themselves in a single ten rows from the stage. I have no idea what to expect. I’m excited; I’m nervous. No matter what, I’d imagine it’ll be one of the most special nights in my life–not just as music fan, but in general.